“German Expressionist writer Paul Scheerbart (1863–1914) articulated his convictions on the power of architectural construction and its relationship to the modern world in his final fictional narrative of 1914 entitled Das graue Tuch und zehn Prozent Weiß. Ein Damenroman [The GrayCloth and Ten Percent White. A Ladies Novel].” ()
In September 1909 spectators at the first International Aviation Exhibition (ILA) in Frankfurt, were enraptured by a display of the German version of an aircraft by the Wright brothers, the rights of which were bought by the German Flugmaschine Wright GMBH. This event roused Paul Scheerbart and it resulted in his ‘pacifist tract’: The Development of Aerial Militarism and the Demobilisation of European Ground Forces, Fortresses and Naval Fleets. Scheerbart’s disposition was hardly surprising in light of the umpteen peace conferences hosted in the first half of nineteenth century, which temporarily revved public passions. Rosemarie Haag Bletter underlines Scheerbart’s concerns about war as discernible in his short stories, for example, ‘Transportable Cities’, and ‘Dynamite War’, writing: Continue reading “Glasarkitektur reflected in War”
“It will surely appear self-evident that the furniture in the glass house may not be placed against the precious, ornamentally-coloured glass walls. Pictures on the walls are, of course, totally impossible. Given the highest intentions, this revolution in the environment is inevitable. Glass architecture will have a tough fight on its hands, but force of habit must be overcome.” – Paul Scheerbart, Chapter 8, Glasarkitektur
Continue reading “Imaginary Wars: Benjamin and Scheerbart”
I. Law as a performative mode of practice
In July, I went to the International Criminal Court in The Hague. After a series of security, passport and baggage checks, I seated myself on the audience balcony in courtroom 1. At 12.30 the judge called for recess and we rose to mark respect. As the judges left the room, I too turned to leave, but just then, curtains snaked across the glass fronted balcony. Heavy pale green velvet, slowly cloaked the courtroom and it was then that realised that sometime in the last few hours the line between reality and play, trial and performance was not so crisp anymore.
Continue reading “The Areopagus and the International Criminal Court”
Essay about Le Corbusier and the staging of the intergovernmental organisation as a type. Further to my essay below here is a link to another essay by Marco Ninno from Aarhus university who talks about how the relationship between the word ‘palace’ and Le Corbusier’s unsuccessful entry for the competition for the League of Nations. Continue reading “Le Corbusier: From Palace to HQ”
My M.Phil dissertation which was done with ‘Projective Cities’ at the Architectural Association school of Architecture in London. The project looks at The Hague after the advent of the International Criminal Court and projects a post-national forum constituted by NGOs as part of the political fabric of the city.
Read the complete thesis here.