Shakespeare on Love

In Shakespeare: Love Across the Racial Divide, Mohini Patel supported by numerous Shakespeare scholars and theatre personalities, talks about interracial love in Shakespearean drama and their relevance to British society today which, allegedly, records the highest number of interracial marriages in the world. Patel strings across Othello, Titus Andronicus, The Merchant of Venice, A Midsummer Night’s Dream and Anthony and Cleopatra bringing forth issues centring racial identity and ‘betrayal’. The questions that stood out and that were asked are: does the woman, in an interracial relationship, inevitably forsake a piece of herself – her identity, when she marries outside her race? Does the man, feel guilty of betraying his heritage when he marries outside his race? Continue reading “Shakespeare on Love”

Black Box- White Box- Light Box?

“In the disposition of the Greek theatre, the audience was closely related to the chorus. It almost entirely surrounded them, and the auditorium was an extension of the orchestra circle…”

“…Although the chorus is still physically present the orchestra is no longer the focus of the action. That role has been transferred to the skene. The orchestra is now a void, looking forward to the time, not far distant, when the chorus has only a vestigial presence; when the orchestra circle, impinged upon on one side by the enlarged stage area and the other by seats of honour for the dignitaries in the audience, has been reduced to half its original extent; and what was once the centre of the action has become a gulf, with the spectators on one side and the performers on the other.”

Continue reading “Black Box- White Box- Light Box?”