“In the disposition of the Greek theatre, the audience was closely related to the chorus. It almost entirely surrounded them, and the auditorium was an extension of the orchestra circle…”
“…Although the chorus is still physically present the orchestra is no longer the focus of the action. That role has been transferred to the skene. The orchestra is now a void, looking forward to the time, not far distant, when the chorus has only a vestigial presence; when the orchestra circle, impinged upon on one side by the enlarged stage area and the other by seats of honour for the dignitaries in the audience, has been reduced to half its original extent; and what was once the centre of the action has become a gulf, with the spectators on one side and the performers on the other.”
While I was teaching at the Aarhus School of Architecture in Aarhus in Denmark with Fabio Gigone and Joel Letkemann, we embarked on a research project with the students in the unit called (in)voluntary Intimacies that re-drew, analysed and documented (relevant) housing projects from the 19th century till recently. These were collected in 4 Books.